Tag Archives: wordless

The River: Something Strange and Something Beautiful

As if we needed more proof that picture books are not just for kids.  Along comes traipsing The River by Alessandro Sanna.  It’s a wordless wonder. I was struck immediately how art transcends culture so often.  Part of the beauty of wordless books is that the story is the same in Mumbai as it is in Miami. This title was created by an Italian artist who uses watercolors to illustrate the dramatic changes of life on a river over the course of a year.

I looked at the first few pages with my brow furrowed, seeing if I could get used to the dark, undulating painted water and sky and simple blobs for concrete objects.  But what I found after my initial skepticism gave way to the turning of each page… was kind of, sort of special. I just surrendered to a style that was not initially in my comfort zone of favorites and became engrossed in the passing scenery and brilliant use of light… like I was floating along in a hot air balloon just watching.  Outside perspective, unobtrusive. Nothing in your face or giving the first-person intimacy technique like some illustrations employ. Detached, the images still beckoned.

I especially liked how Sanna chose his springtime color motif. Not your typical pastels, but the bold violets of a crispy sunset and the hint of color in a semi-limited palette really will resonate with those Northern Hemisphere readers who don’t really experience “spring” until something like June.
The River is something different. It’s something that evokes the word beauty… but not in a way you necessarily anticipate in a traditional way… and I like that in a book.


Hello Mr. Hulot!

Kindly direct your attention to Hello Mr. Hulot if you please.  This book is nearly wordless (I have a thing with wordless books…) and packed with witty action.  Monsieur Hulot was a French character created for movies in the mid 20th century by Jacques Tati.  He is something of an early Mr. Bean and has translated beautifully into picture book form by David Merveile.

The delight of this book lies in its very simple humor.  And adults and children alike should be able to appreciate that.  I suspect there’s more to come and am eager to see them!  Look at these small vignettes:


Wiesner on Tuesday

Speaking of wordless books, I was reading one of the Caldecott Acceptance speeches author/illustrator David Wiesner gave and I loved this context he offers on his book Tuesday:

“At least as often as people ask me where I came up with the idea for the book, they want to know, “Why Tuesday?” When I decided to punctuate the story with the times of the day, it became clear that the mysterious element had to do with the particular day of the week when these strange things happened. So I tried to decide what the funniest day of the week was. I immediately discounted the weekend; Saturday and Sunday had too many connotations, as did Friday. Monday was next to go, being the first day of the work week, which left Tuesday, Wednesday, and Thursday. Wednesday’s spelling had always bothered me, so it was out. Thursday was all right, but the more I said “T-u-e-s-d-a-y,” the more I like the “ooze” quality it had. It seemed to go with frogs.

A wordless book offers a different kind of an experience from one with text, for both the author and the reader. There is no author’s voice telling the story. Each viewer reads the book in his or her own way. The reader is an integral part of the storytelling process. As a result, there are as many versions of what happened that Tuesday night as there are readers. For some, the dog in the story is rightfully defending his territory against amphibian invaders, and their sympathy lies with the dog when the frogs get the best of him. For others, the dog is a humorless bully who gets his comeuppance. As the author of a wordless book, I don’t have to concern myself about whether the reader’s interpretation of each and every detail is the same as mine. My own view has no more, and no less, validity than that of any other viewer. Since my intent was for the book, as a whole, to make people laugh, all that matters is that the pictures are funny.

A series of individually funny pictures, however, does not necessarily add up to a successful story. The book was very carefully plotted, and details were developed in ways that move the story forward as logically as possible, from the full moon that rises slowly in the sky that first Tuesday night, to the gibbous moon that appears a week later at the end. By placing my characters in the context of a familiar reality, I hoped to entice readers to take that great leap of faith and believe that frogs, and perhaps pigs, too, could fly—if the conditions were just right.”


Top 10 Wordless Picture Books

This article was originally written for and printed in the Spring 2012 issue of Soul Gardening Journal. I have since substituted in two titles (listed at the end) that came to my attention and taken out the original listings for The Silver Pony about which I had this to say: “This is a sort of strange, magical book that might not be guaranteed to win everyone’s hearts… but its peculiarity won mine.  I love the old fashioned, black and white sketches here.”  

And also I removed Rainstorm, originally saying this: “Barbara Lehman is more well known for her Caldecott honored The Red Book but this one tickles me just a bit more.  A young, well-to-do boy feels the restlessness and boredom of a rainy day before finding a magic key that offers him a magic portal into his imagination.  There’s something clean about Lehman’s illustrations that make her a refreshing read.”

Finally, I gave a shout out to one of my very favorite Christmas books ever: A Small Miracle and would also add The Snowman.

Willfully Wandering Wordless: A Top Ten List

Some of my very favorite picture books are completely devoid of words.  I used to sort of smile and write (no pun intended) these kinds of books off as novelties without any real sort of lasting merit.  But as my bookshelf space shrunk and my exposure to children’s literature grew, I was proven wrong… very, very wrong.
Wordless picture books can be an excellent vehicle for pre-readers who want to “read” books like big brother/sister.  They can serve beautifully for creative narration prompts too.  Instead of playing the memory game and asking your child “Okay, what was the story about”… to which they promptly regurgitate a couple of quoted sections word-for-word to show that they’ve been listening, kid’s are forced to tell a story in entirely their own words.  In the wordless world, it’s all about attention to the details, to sequencing, to the art of what’s happening.  Many are written in comic book fashion which gets little ones used to the concept of left to right to down directional reading.  Teachers have often used wordless books for question prompts to creative thinking: “What do you think he’s looking for?”  “Why might she be feeling sad?” etc.  Since none of the answers are ‘given away’ with text, even shy children might open up with some interesting interpretations.
With regards to wordless books in this family, my children take a few different approaches that are refreshingly different from the reactions I get with traditional picture books. My five year old son likes to take a wordless book off to a corner by himself and study it through.  Then he asks me to “read a story with him” which entails us sitting on the couch together while he tells me everything that’s going to happen on the next page.  He gets a giddy delight out of finally being the one in the know with a book, while I am simply the willing audience to his interpretation.  My seven year old boy does a great deal of personification in his life.  If he sees an image he likes with just enough figures for our family, he promptly names us all.  I am honored to have been labeled an ant, a banana, a Chinese spinster, and a flying frog among other things.  With wordless books, he’s in hog heaven describing who’s who and bringing in all the people from his real world into the story with unnamed characters.  My nine year old boy is a bit more like me with the wordless books.  He just curls up somewhere with a blanket and reads it quietly to himself, slowly turning the pages and letting his eyes feast on the artwork. The canvas is totally blank when it comes to these kinds of stories and imaginations can run wild.  Here is a Top Ten list of my very favorite wordless books, though it really is cruel to limit myself in this wonderful genre:

 The Arrival by Shaun Tan. This book is stunning and the artwork will weave you right into its spell.  I spent the better part of an hour reading this book by myself; it is living proof that picture books aren’t just for kids. I’d happily keep this surrealistic story of an immigrant on my coffee table.  While it was fun to go through with my children, the message really can be quite profound for adults too.

 Peter Spier’s Rain. A perfect springtime book full of lovely, poetic imagery.  Peter Spier is one of those wonderful authors that the world seems content to forget.  So many of his gems (some others are wordless also) are out of print and I curdle my nose in disgust sometimes to think of some the fodder that’s replacing his books at stores everywhere.

 Anno’s Counting Book by Mitsumasa Anno.  Get all of Anno’s books; you won’t regret it!  This book doubles as a superb and innovative counting book with folky artwork that I adore. Anno’s Journey is another title in this category that is a lot of fun to follow with children.

 Tuesday by David Wiesner. Wiesner is the master of the wordless genre.  While we love his Flotsam, Sector 7 and Free Fall too, this book about flying frogs (yep, that’s me!) on an adventure in the middle of the night wins my boys over every time.  These pictures are feast-worthy indeed.

 The Lion & the Mouse by Jerry Pinkney. Now Pinkney was fortunate here in that the story was already provided for him– remember that fable from Aesop about the mouse who helps out the lion?  Pinkney just happens to be an incredible artist who took this story for a beautiful spin in 2009 with the release of this book.

 A Boy, a Dog, and a Frog by Mercer Mayer. My very first introduction to wordless books was this one.  I love the size; I love the limited color scheme. I love all the sequels to this book. I have to admit that I came into it biased because Mercer Mayer illustrated my all-time, very favorite series of childhood chapter books–The Great Brain by John Fitzgerald– and I was delighted to see this kind of art again. One way to sneak out of the limiting Top Ten is to throw out other titles to reference by the same author. In this case, I’d point you to a very recent fun title by Mayer called Octopus Soup.
 The Boy, The Bear, The Baron, The Bard by Gregory Rogers. How refreshing!  Are you studying Shakespeare?  Add this to your unit to round out all the romantic, poetic imagery of the man.  Here a contemporary boy gets lost on a stage hosting the Bard himself who becomes enraged at the interruption and chases the boy through old London.  The great thing about graphic novels is that you get lots of bonus perspectives to complete the comic book boxes… so an extreme close up of Shakespeare’s face or a panoramic bird’s eye view of the city fill out the pages quite nicely.

 Mirror by Jeannie Baker.  Baker is a collage artist and she uses an assortment of materials, fabric and natural foliage to construct this very novel book.  It is testament again that wordless stories aren’t just for preschoolers; in fact I think you’d really need to be about eight years old at least to really appreciate what’s going on here.  When you open this book you have two stories side by side on each side the outside covers, so you are flipping pages from the inside binding to show the daily lives of an Australian child and a Morrocan child.  It’s a beautiful social studies lesson on the uniqueness of two very different cultures but the same threads of family, meals, and home life bind us all together.  Jeannie Baker is also well known for her other wordless story called Home which will be one of the subjects for some other season in this Book Basket column as I explore a couple of books that reflect on urban relationships.

Magpie Magic: A Tale of Colorful Mischief by April Wilson is a gorgeous and fun tale of words coming to life. I wrote about it a couple years ago: “The book a feast of imagery from the first person perspective as we see artist’s hands draw the magpie outside her window.  As any good story book would have it, the bird then comes to life and what happens next is a witty sort of duel between the bird and artist which ends in a very satisfactory way.” 

 Journey by Aaron Becker is one of the very best books of 2013.  There is something about the wordless genre that lends itself perfectly to fanciful travels or surreal experiences.  This book is that. A girl goes on an incredible journey in a very similar way to Harold did in Harold and the Purple Crayon. Exquisite details in this thoughtful book.



A few weeks ago I went to a baby shower where the new mom was gifted with a couple Indestructables.  Well, me being the kind of woman I am, I was immediately intrigued by its claims to withstand baby trauma and wanted to sink my teeth into the pages.  For the sake of propriety, I refrained, but I did discreetly tug and pull on the pages as I examined this breakthrough in children’s books.  They’ve apparently been around a few years now but this was rocket science to me.

See, board books are the standby classic for babies.  And most babies do fine with board books.  My children, however, manage to soak or rip the cardboard eventually, and while they’ll last longer than our paper books, the board books are indeed mortal. Plus, this genre is very often older children’s books, reprinted on cardboard and then marketed to babies.  (Don’t get me wrong, I love board books… for about 18 months up to 4)  But indestructables are specifically made for BABIES.

Indestructables promises the fountain of youth in picture book world. They can be eaten and bent and disheveled in every which way, only to come out just as loved and bright as before.  They even promise to be machine washable!  Wowzas!

I personally wasn’t in love with the way the books felt… they are paper thin (made of a strange, vinyl-esque material) and would fit nicely into a purse (folded up!!!) or diaper bag, but I can absolutely appreciate what they offer… a pre-literacy inclusion for our youngest of bibliozealots.  The books are wordless, designed to just stimulate baby’s mind with the way a book “works” without ruining said book.

Mama and Baby!  and Plip-Plop, Pond! were the two books I examined closely. I was quite impressed and think these would make excellent baby shower gifts… who doesn’t love the irony of a baby product that is baby proof?!


Unspoken: Pick of the Week

I picked up Unspoken: A Story From the Underground Railroad thinking it was pre-Civil War but it is clearly in the midst of it.  It’s a wordless book (a genre of which I’m an admiring fan) and the pictures are muted pencil drawings throughout.  Unlike other Civil War stories, this doesn’t highlight either tragedy or heroism really… it just sort of shows a simple piece of reality in some “safe houses” where a little girl finds a runaway slave and acts to secretly help the person in small ways. The Confederate soldiers come by and the family has nothing to say…

A lovely book, best shared in a bigger context of the Underground Railroad, and other more complete Civil War studies.


Pick of the week

After just writing up an article for Soul Gardening‘s spring issue on wordless books, I am tickled to have found another one. Magpie Magic: A Tale of Colorful Mischief by April Wilson.  The book a feast of imagery from the first person perspective as we see artist’s hands draw the magpie outside her window.  As any good story book would have it, the bird then comes to life and what happens next is a witty sort of duel between the bird and artist which ends in a very satisfactory way.

I was unfamiliar with April Wilson and did a little googling to find out that she is an artist and art instructor in London.  Her work is fantastic and I am eager to get my hands on some of her other books.  I am rather dismayed to find that Magpie Magic seems to be out of print already after being published in 1999. Such a pity the treasures that get lost in the bloated publishing world.  In any case, it was an especially welcome find at the library and I encourage you to seek it out yourself!